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5 Ways to get the Most out of Music Lessons  
 

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If most music schools seem to have qualified, friendly and experienced teachers with a recital at the end of the year, aren’t they all pretty much the same? Does it really matter where you decide to enroll? Yes. There are five main attributes that can make a huge difference in the quality of instruction your child receives, the convenience of taking lessons and the overall enjoyment and satisfaction of being involved with a music program.


Every parent should consider these five criteria before deciding on a music school for their child. These are practical tips that we have discovered from teaching hundreds of students each year.


1. How young is too young?

Adults can start any instrument at any time. Their success is based on how willing the adult is to commit to practicing. For children, starting at the right age is a key element to the success of their lessons. Some people will say “the sooner the better”, but this attitude can actually backfire. If children start lessons too soon they may feel overwhelmed and frustrated and may want to stop lessons. The last thing you want is for your child not to have a positive musical experience just because they had one unpleasant experience which could have been prevented. Sometimes if the child waits a year to start lessons his/her progress can be much faster. Children who are older than the suggested earliest starting age usually do very well. The following are guidelines we have found to be successful in determining how young a child can start taking music lessons. If a child wishes to begin lessons and is younger than the recommended age, ISM can arrange a trial/audition class to determine a child’s readiness to begin lessons.


Piano, Keyboard, Violin and Cello:

At our school, age five is the youngest age that we start children in private lessons. At this age they have begun to develop longer attention spans and can retain material with ease. In some cases we can accept children at age four depending upon their trial/audition class.


Guitar: Acoustic, Electric and Bass:

Age seven is the earliest we recommend for guitar lessons. Guitar playing requires a fair amount of pressure on the fingers from pressing on the strings. Children under age eight generally have small hands and may find playing uncomfortable. Bass students are generally ten years of age and older.


Voice Lessons:

Eight years old is recommended as the youngest age for private vocal lessons. Due to the physical nature of voice lessons (proper breathing techniques, development of the vocal chords and lung capacity), the younger body is generally not yet ready for the rigors of vocal technique.


Drums:

The average age of our youngest drum student is eight. This varies greatly depending on the size of the child. They have to be able to reach the pedals and the cymbals.


Flute, Clarinet and Saxophone:

Due to lung capacity (and in the case of the saxophone the size of the instrument), we recommend that most woodwind beginners are age nine and older.


2. Insist on Private Lessons when Learning a Specific Instrument

Group classes work well for preschool programs and theory lessons. However, when actually learning how to play an instrument, private lessons are far superior. In private lessons it is hard to miss anything and each student can learn at his/her own pace. This means that the teacher does not have to teach a class at a “middle of the road” level, but has the time and focus to work on the individual student’s strengths and weaknesses. For that lesson period, the student is the primary focus of the teacher. The teacher also enjoys this as he/she does not have to divide attention between five to ten students at a time and can help the student to reach his/her full potential.
 


3. Take Lessons in a Professional Teaching Environment

Learning music is not just a matter of having a qualified teacher, but also having an environment that is focused on music education. In a professional school environment a student cannot be distracted by television, pets, ringing phones, siblings or anything else. With only one half to a full hour of lesson time per week, a professional school environment can produce better results since the only focus at that time is learning music. Students in a school environment are also motivated by hearing peers who are at different levels and by being exposed to a variety of musical instruments. In a music school, the lessons are not just a hobby or side-line for the teacher but a responsibility which is taken very seriously.


4. Make Practicing Easier

As with anything, improving in music takes practice. One of the main problems with music lessons is the routine of practicing and the friction may often develop between parents and students concerning daily practicing. Here are some ways to make practicing easier:

Time:

Set the same time every day to practice so that it becomes part of a routine or habit. Generally, the earlier in the day the practicing can occur, the less reminding is required by parents.

Repetition:

We use this method quite often when setting practice schedules for beginners. For a young child, twenty to thirty minutes can seem like eternity. Instead of setting a time frame, we use repetition. For example, "practice this piece four times every day and this scale five times a day". The child then does not pay attention to the amount of time that she is practicing the instrument, but knows that if she is on repetition three that she is almost finished.

Rewards:

Children and adult students respond very well to rewards. Some adults reward themselves with a cappuccino after a successful week of practicing. Parents can encourage children to practice by granting them occasional rewards for successful practicing. In our school, we reward young children for a successful week of practicing with stars and stickers on their work. Praise tends to be the most coveted reward – there is just no substitute for a pat on the back for a job well done. Sometimes we all have a week with little practicing and in that case there is always next week.


5. Use Recognized Teaching Materials

There are some excellent materials developed by professional music educators that are made for students especially for young beginners and adult students with no previous music experience. There are books that can start you at a comfortable level. These materials have been carefully researched and are continually upgraded and improved to make learning easier. They ensure that no important part of learning the instrument can inadvertently be left out. If you ever have to move to a different part of the country, qualified teachers and institutions will recognize the materials and be able to continue smoothly from where the previous teacher left off.


Have FUN!!!

Music should be something that you enjoy for a lifetime. So try not to put unrealistic expectations on yourself or your children to learn too quickly. Everyone learns at a different pace and the key is to be able to enjoy the journey.

 

Click on the underlined categories below to find out more:

  • Keyboard: piano

  • Strings: cello, guitar (acoustic/electric/bass), harp, viola, violin, cello, banjo

  • Voice: classical, Broadway, jazz, pop/rock

  • Woodwinds: clarinet, saxophone, flute, piccolo, recorder, oboe, bassoon

  • Brass: cornet, trumpet, flugel horn, french horn, euphonium-baritone, trombone, tuba

  • Percussion: drumset, afro-Caribbean drums, mallet instruments, symphonic percussion

  • Theory: music theory, ABRSM theory, composition, improvisation, song-writing, jazz improvisation

 

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Our two locations serve communities of Bethesda, North Bethesda, Chevy Chase, Rockville, Potomac, Cabin John, Kensington, Silver Spring, Gaithersburg, Washington DC, and Virginia.

 

The International School of Music (ISM North): 10450 Auto Park Ave. Bethesda MD 20817  |  Tel: 301.365.5888
The International School of Music (ISM South): 5110 Ridgefield Rd. Suite 104, Bethesda MD 20816  |  Tel: 301.657.0763

 

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